CICLO TERESA SILVA Dance pouring from our heads

Rede de Reservas da Biosfera da CPLP: Um Espaço de Diálogo e Cooperação para o Desenvolvimento Sustentável

THE MUSEUM AS PERFORMANCE

THE KNOWLEDGE OF CINEMA

ANA HATHERLY — POET TO POET

JORGE MOLDER — WORKS FROM THE SERRALVES COLLECTION

PEDRO TUDELA & JORGE PINHEIRO

Casa Vale Ferreira

SILVESTRE PESTANA

Jazz in the Park

CHIRP&DRIFT

LET’S CLAIM A PAST, A NOW, A FUTURE

HELENA ALMEIDA — INHABITING THE WORK

Lightless

A NOSSA CASA

Words at Large —
E.M. de Melo e Castro: The Artist and his Collection

CORPO | UMA TOPOGRAFIA SONORA

THE EXERCISE OF FREEDOM

Pre/Post ― Visual Variations of 25 April

SUNDAYS AT CASA DO CINEMA: MANOEL DE OLIVEIRA E O CINEMA PORTUGUÊS 2

BIOBLITZ 2024

MATTER / ACTION —

SCULPTURE AND VIDEO OF THE 1960S AND 1970S

MANOEL DE OLIVEIRA AND PORTUGUESE CINEMA

WINDOWS TO LOOK IN

Yayoi Kusama:

1945 to Now

PAS DE DEUX

FERNANDO CALHAU — INVERSE RATIO

Sundays at the House of Cinema: Manoel de Oliveira Spectator

C.A.S.A. Collection, Álvaro Siza Archive

Improbable Anagrams. Works From The Serralves Collection

Sundays at the House of Cinema: Manoel de Oliveira Spectator

Hands over the City — Investigations in the Urban Environment

Ciclo de Conversas | Alimentar Uma Causa: Responsabilidade Social

SUSANA MENDES SILVA — TU & EU

ERWIN WURM —
THE ARTIST WHO SWALLOWED THE WORLD

FÉRIAS DE NATAL EM SERRALVES 2023

Fernando Lanhas

Oscar Murillo: Together in Our Spirits

KAPWANI KIWANGA: WHERE SALT AND FRESHWATER MEET AND CROOKED TREES FILTER THE SUN

Post-scriptum