SESSÃO DE CINEMA

cinema: Nada pode ficar

DES|OCUPAÇÃO. Arqui(vi)vo do Atelier Real em Serralves

Documentary Portugal, 2021, 104’

Auditório do Museu
5 NOV

17H30


Acess: 3€*

*Regular discounts (50% for Amigos de Serralves, students and over 65 years old).

0511 CINEMA - NADA PODE FICAR

CINEMA

Nada pode ficar

A film by Maria João Guardão

A film of the filmmaker and journalist Maria João Guardão, in collaboration with António Alvarenga and João Nunes, from a project by João Fiadeiro to DES| OCCUPATION of #55, Rua Poço dos Negros, Lisbon, last space of RE.AL Atelier.
Session followed by a talk between João Fiadeiro, the artists Ângela Guerreiro, Rui Catalão and Carolina Campos and the filmmaker Maria João Guardão.

An artist, João Fiadeiro, and the company he keeps, postpone and embrace the end at the house they
inhabited for the last decades, in the heart of a city consumed by gentrification - Lisbon. By vacating they occupy, by disbanding they stay together and by celebrating they reclaim a 30- year- old project from disaffected national politics.

What remains when everything must go?How does one keep on?

To make a film is a way of being together. To get together is a way of turning the end – of a project, of a community, of a form of inhabiting the city - into things to come.

A film about endings became its director’s first film.

Related

Maria João Guardão
Maria João Guardão
Maria João Guardão
Maria João Guardão

Maria João Guardão is a filmmaker and a journalist. Born in Mozambique, she lives and works in Lisboa where she founded the production company DESMEDIDA filmes. She graduated in Social Communication, took the Documentary Filming course at Ateliers Varan and founded the production company DESMEDIDA filmes.

NADA PODE FICAR [EVERYTHING MUST GO, 2021] is her first feature documentary, granted the Best First Time Feature Filmmaker award by the Berlin Art Film Festival (2022) . She directed documentary series for TV and works as a cultural journalist for newspapers, television, editorial and online projects, as well as for the National Theater D.Maria II. She wrote about contemporary artists[Traffic – critical anthology of the new Portuguese visuality, ed. Porto 2001, 2002], on nomadic practices [catalogue Portuguese Artists - Out There, ed. Museum of the Presidency of the Republic/EDP Foundation, 2009] and television archive practices [Archive Practices in Performing Arts, ed. Center for Interdisciplinary Studies of the XX century. XX CEIS20/ Coimbra University, 2020], among other published texts. Programmed the Portuguese participation in the FESTIVAL of Arts VAMOS! (Newcastle, UK, 2008).

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