SESSÃO DE CINEMA

CITIZEN KANE

Sundays at the House of Cinema: Manoel de Oliveira Spectator

With Marta Mateus (filmmaker) and Pedro Santos Guerreiro (journalist) and moderated by Anabela Mota Ribeiro

House of Cinema Auditorium
07 SEP 2024 | 17:00

Access to the House of Cinema Auditorium is via Rua de Serralves nº 873, 30 minutes before the start of the session.

Ticket: 3€
Full pass for all sessions: 70€
Discounted admission: 50% for Amigos de Serralves, youth, students (with ID) and over 65

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0709 FilmeTemasOliveira.O MUNDO A SEUS PÉS
Fotograma de "O Mundo a Seus Pés" (1941), Orson Welles

Sixth session of the film programme Um Filme Falado: Os Temas de Oliveira, with conception and moderation by Anabela Mota Ribeiro. This film programme is dedicated to several themes featured in Manoel de Oliveira's oevre. This film session tackles the theme Origin, with the screening of Orson Welles' Citizen Kane (1941), followed by a conversation with the filmmaker Marta Mateus and journalist Pedro Santos Guerreiro, moderated by Anabela Mota Ribeiro.

ORIGIN

7 SET | SAT | 17h00

CITIZEN KANE

Orson Welles | USA | 1941 | 119’

With: Marta Mateus (filmmaker) and Pedro Santos Guerreiro (journalist)


Everything has already been said about Orson Welles' sophomore feature. Despite its ordinary " rise and fall" story, Citizen Kane is an innovative film in pratically every aspect: from narrative structure to the use of depth of field, from the treatment of filmic space to the characters' psychological complexity. Citizen Kane builds a retrospective portrait of its leading character Charles Foster Kane right after his death. Born in a modest family, Kane rose to stardom as a media tycoon. The revision of his past is developed through different (and conflicting) points of view from those of knew him - like is former partner and confident (Jedediah) or his second wife (Susan Kane). They all seek to answer the same question: who was Kane? And what does it mean the word ""Rosebud"", whispered by Kane right before his death? The problem of origin (also the origin of the monstruous behavior of his characters) was widely explored by Welles, from false identities in The Stranger (1946) to the problematization of "authenticity" in F for Fake (1973).

Related

Anabela Mota Ribeiro
Anabela Mota Ribeiro
Marta Mateus
Marta Mateus
Pedro Santos Guerreiro
Pedro Santos Guerreiro
Anabela Mota Ribeiro
Anabela Mota Ribeiro

Anabela Mota Ribeiro nasceu em 1971 em Trás os Montes. Vive e trabalha em Lisboa. Fez licenciatura e mestrado em Filosofia na Universidade Nova de Lisboa. No doutoramento, que frequenta, prossegue o estudo do escritor brasileiro Machado de Assis. Foi visiting research fellow da Brown University em 2019. Publicou os livros “O Sonho de um Curioso” (2003), com 14 entrevistas, "Este Ser e não Ser - Cinco Conversas com Maria de Sousa" (2016), "Paula Rego por Paula Rego" (2016), "A Flor Amarela - Ímpeto e Melancolia em Machado de Assis" (2017), "Por Saramago" (2018) e "Os Filhos da Madrugada" (2021 e 2022). Jornalista freelance, colaborou com diversos jornais e revistas. É autora e apresentadora de programas de televisão. Os mais recentes: Curso de Cultura Geral (2017 e 2018, RTP2), e Os Filhos da Madrugada (2021 e 2022, RTP3). Enquanto programadora cultural, colabora com instituições de referência. Entre outros projectos, assinou, com José Eduardo Agualusa, a curadoria da Feira do Livro do Porto em 2017, 2018 e 2020. É membro do Conselho Geral da Universidade de Coimbra. Desde 2013 disponibiliza o seu arquivo no site www.anabelamotaribeiro.pt. Gosta de cinema desde sempre. 

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