THE ORIGIN OF THE 21st CENTURY | IN THE DARKNESS OF TIME | GOODBYE TO LANGUAGE | THE THREE DISASTERS
JEAN-LUC GODARD
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Fourth film session of the film programme Jean-Luc Godard, with the screening of Godard's "The Origin of the 21st Century" (2000), "In the Darkness of Time" (2002), "Goodbye to Language" (2014) and "The Three Disasters" (2012).
L’ORIGINE DU XXIe SIÈCLE | THE ORIGINS OF THE 21st CENTURY
Jean-Luc Godard | FRA, SUI | 2000 | 13’
Originally commissioned by the Cannes Film Festival to make a short film commemorating the entry of cinema into its second full century, Godard instead presents a barrage of aural bombardment of archival images of war and Nazi atrocities, provocatively interspersed with shards of images from films as disparate as Vincente Minnelli's Gigi (1958) or his own Breathless (1960).
DANS LE NOIR DU TEMPS | IN THE DARKNESS OF TIME
Jean-Luc Godard | FRA, SUI | 2002 | 10’
Short-film from the omnibus feature-length Ten Minutes Older: The Cello (2002). Over the course of an impressive ten minutes, Godard compresses the aesthetic and ethical lessons of the History(s) of Cinema into a reflection on the political situation at the turn of the millennium, calling upon all the horrors of the world, under the sign of its last moments: of youth, of fame, of memory, of silence, of history, or of eternity. The film is, as the Cinémathèque Française describes it, a “crepuscular evocation of the last minutes of… thought, love and cinema”.
ADIEU AU LANGAGE | GOODBYE TO LANGUAGE
Jean-Luc Godard | FRA, SUI | 2014 | 69’
The idea is simple
A married woman and a single man meet
They love, they argue, fists fly
A dog strays between town and country
The seasons pass
The man and woman meet again
The dog finds itself between them
The other is in one,
the one is in the other
and they are three
The former husband shatters everything
A second film begins:
the same as the first,
and yet not
From the human race we pass to metaphor
This ends in barking
and a baby’s cries
In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin.
Jean-Luc Godard
3DÉSASTRES | THE THREE DISASTERS
Jean-Luc Godard | FRA, POR | 2012 | 17’
The Three Disasters is Jean-Luc Godard's contribution to the Guimarães 2012 European Capital of Culture commission film, a part of the omnibus feature-leght 3x3D, along with two other short-films by Peter Greenaway and Edgar Pêra. The film is a video-essay based on the collision of various archival materials, refocusing its attention on the intersection between the history of cinema and the political history of the 20th century. The film is equally important as a test tool for 3D technology, which Godard and director of photography Fabrice Aragno would take to new extremes of cognitive dissonance in Adieu au Langage.
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