Performance

TRISTAN PERICH feat. ENSEMBLE 0, ARS AD HOC & DRUMMING GP

TRISTAN PERICH

"OPEN SYMMETRY" / "SEQUENTIAL"

Auditório do Museu
12 APR 2025 | 6.30 PM

Acesso: 7,50€

50% desconto para estudantes, Jovens (12-18 anos), >65 anos e Amigos de Serralves.

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1204 TRISTAN PERICH feat. ENSEMBLE 0, ARS AD HOC & DRUMMING GP
Adrian Pallasch

OPEN SYMMETRY (2019)

TRISTAN PERICH & ENSEMBLE 0

FOR PERCUSSION AND 20 SPEAKERS WITH 1-BIT ELECTRONICS

In 2010, Tristan Perich's lo-fi electronic composition 1-Bit Symphony, then praised for its intense hypnotic power and surprising emotional depth, prompted an immediate desire on Ensemble 0 to organize its first European tour with Tristan Perich & Lesly Flanigan. In fact, the ensemble has been performing some of the American composer's compositions for some time now, including Observations (for two sets of crotales and 6-channel 1-bit music, 2008), Formations (solo cello and six-channel 1-bit electronics, 2011) and Impermanent (for tubular bells and two-channel 1- bit electronics, 2011).

Open Symmetry was commissioned by Ensemble 0 and the Variations festival (Lieu Unique) and premiered on 28 April 2019.

"Open Symmetry contains a dense tangle of tones produced by percussion and electronics. Subtly shifting patterns propel the music, while tonal bugs jump from one colour to another, like an illuminated reset button" (Tristan Perich, NYC, 30 May 2018)

A recording of Open Symmetry was released in 2024 on Erased Tapes.



SEQUENCIAL (2011)

TRISTAN PERICH feat. ARS AD HOC & DRUMMING GP

FOR STRING AND PERCUSSION QUARTETS WITH GATED AMPLIFICATION

“In Sequential, the musicians bow their instruments at an almost inaudibly quiet volume, and close-placed microphones capture their sound and run it through a custom circuit board that toggles each signal on and off, in a scored pattern. Instead of using 1-bit information to synthesize sound, I’m using it here to interrupt it. It’s as if someone is performing the mute buttons on the mixer, turning sustained notes into binary rhythms. Even though all sound in the music is performed live by the musicians, the resultant music becomes an electronic-sounding tapestry of pitch that obscures the natural timbre of the instruments, substituting individual voices for a hybrid combination.” (Tristan Perich)


Related

TRISTAN PERICH
TRISTAN PERICH
ARS AD HOC
ARS AD HOC
ENSEMBLE 0
ENSEMBLE 0
DRUMMING GP
DRUMMING GP
TRISTAN PERICH
TRISTAN PERICH

Tristan Perich's (New York) work is inspired by the aesthetic simplicity of math, physics and code. The WIRE Magazine describes his compositions as "an austere meeting of electronic and organic." 1-Bit Music, his 2004 release on Cantaloupe Music, was the first album ever released as a microchip, programmed to synthesize his electronic composition live. His follow-up release, 1-Bit Symphony, was called "sublime" (New York Press), and the Wall Street Journal said "its oscillations have an intense, hypnotic force and a surprising emotional depth." His latest album, Drift Multiply (Nonesuch, New Amsterdam), for 50 violins and 50 speakers, was described by the New York Times as "a constantly evolving landscape where sounds coalesce and prism, where the violins both pull into focus and blur into a soothing ether." His work coupling 1-bit electronics with traditional forms in both music and visual art has been presented around the world, from Sonar and Ars Electronica to the Museum of Modern Art and bitforms gallery.

Image: Shervin Lainez

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