BODY, ABSTRACTION AND LANGUAGE IN PORTUGUESE ART
DEPOSITS FROM THE STATE CONTEMPORARY ART COLLECTION IN THE SERRALVES COLLECTION
António Dacosta, O Cálice,
1986. Col. Secretaria de Estado da Cultura, em depósito na Fundação de
Serralves – Museu de Arte Contemporânea, Porto. Depósito em 1991. Foto © Filipe
Braga
This exhibition presents works from the
Contemporary Art Collection of the State on deposit in the Serralves Museum of
Contemporary Art. It represents both the foundations of the Serralves
Collection and a singular perspective on the Portuguese art context in the
decades of the 1960s and 1980s. The works displayed express the various
dialogues and formal confluences that Portuguese post-war artists were able to
establish both with each other and with the global art context.
‘Body, Abstraction and Language in Portuguese
Art’ is part of a programme of exhibitions and sited presentations of works
from the Serralves Collection that furthers the Museum’s aim of making the
Collection visible and accessible to a broader public throughout the country.