GONÇALO PENA
BARBER SHOP
Gonçalo Pena’s exhibition Barber Shop follows
the meta-metaphorical fictitious forays of a citizen who is a barber by trade in
the land of the barbarian Lusitanian. Like other beauticians, this amanuensis
of the scissors and comb has the highest regard for the fine arts and common
decency, ever mindful not to deface or mistreat a customer. Regrettably, this
is not always so. It is common knowledge that some are just perpetually ugly,
some require the smallest of helping hands and others are somewhere in between.
Not everyone, of course, is a picture of beauty. A man of the beard must whisk,
but an omelette needs eggs. The show brings together a digest of the artist’s
recent years as a draughtsman. He draws the good and bad looks, both internal
and external, of our humble Lusitanian parish and neighbourhood. Some drawings
are in crayon, some in charcoal, and there are even others in Indian ink. If
the visitor can be bothered to look closer, there are some containing reading
material ― the artist likes to self-comment and does so with skill and wit. In
other drawings it is barely possible to make out what they might represent,
pervaded as they are by an abstract aesthetics. A summery visit will surly
yield this summary: black pigs and sausages; a pregnant gentleman; the devil’s
Persian beard; seals with goggles that do not seal; the Moon’s rough tongue; a
cigarette genie instead of a lamp genie; the meteoric wind of the Indians of
the Indies; the fertile crescent; the venereal tip of Cupid’s arrow; the white
queen and the ice king; a cowboy thug and an old hag; a sleeping tiger, a
frightening tiger and a tiger who loves chicken soup; a vitamin called aspirin;
one sick person two sick persons three sick persons and a nurse; several styles
of alopecia and wigs and fearsome moustaches; a mouse-cheese; a grumpy ice
cream; and now yes a genie out of the lamp; nipple-shaped hats; a list of
Germanic geniuses and wise French sages; one god two gods many gods; a cheeky ceramic
basket; a reflection from a shattered mirror; Chip ‘n’ Dale; a mouse in his hole;
two lemons; an island of melons cantaloupes and watermelons; signor Fallopius;
Pippi Longstocking; the abominable snow moose; the Trojan zebra; Celeste, the reactionary
young lady; the differences between Portuguese dads and foreign dads; a prismatic
space-penis, etc. …all in all, 10,000 years of vandalism, barbarity!
It’s a
libertarian exhibition. What else could it be?
Come visit,
God willing, if you can.
BUY Catalog
Mecenas da Exposição
Related
Gonçalo Pena (Lisbon,
1967) lives and works between Lisbon and Guimarães. Trained as a
painter, Pena holds a PhD in Communication Sciences and has done extensive
research on design theory and meta-design. He teaches painting, drawing
and theory at a range of university institutions in Portugal and is considered
an influential art professor for a younger generation of Portuguese artists.
After a distinguished career in editorial illustration for
major Portuguese newspapers and magazines during the 1990s (namely
Independente, Público, Ler, Egoísta and others), started showing his work more
regularly as a visual artist from the mid-2000s. Presented major solo shows at
ZDB, curated by Natxo Checa, and at Graça Brandão Gallery,
in Lisbon, Galleria Zero, Milan. Realized several projects at Kunstverein
München in 2016. Recently presented A Pele do Fantasma & A Sueca, Maria
João and Armando Cabral Colletion and Gaita!, Graça Brandão Gallery, both in
Lisbon, 2019. In 2020 presented Metafísica, curated by Jomão Maria Gusnão and
Natxo Checa, in ZDB, Lisbon and Fábrica Falida, F2 Galería, Madrid. Since 2014,
Mousse Publishing has published Pena's graphic work in monographic volumes
edited by João Maria Gusmão and Pedro Paiva.