Sábados
Horário: 18:00
Local: Ténis do Parque de Serralves
In the year that
marks the 30th anniversary of Jazz in the Park, our programme brings
together internationally acclaimed Portuguese musicians and European musicians
who have been significantly involved in the national scene, such as
(respectively) João Lobo and Giovanni Di Domenico. The invited artists share
yet another factor in common: their trajectories have taken them beyond typical
jazz audiences, such as Rita Maria and Filipe Raposo, who will revisit the
baroque, and Pedro Sousa’s group, which includes figures that have stood out in
the fields of electronic music (Simão Simões, Bruno Silva) and rock (Miguel
Abras). This edition opens the stage to artists who have been steadily
collaborating beyond boundaries (both territorial and musical). These are 30
years of history which project into as many years of music to come.
Curated by: Rui Eduardo
Paes
3 July
Rita Maria / Filipe Raposo “The Art of Song: When
Baroque Meets Jazz” (Portugal)
(Porto premiere)
Rita Maria: voice;
Filipe Raposo: piano
The voice and piano duo is not uncommon in jazz, but the project that
brought together singer Rita Maria and pianist Filipe to explore the “art of
song”, since the release of their 2020 album “The Art of Song Vol. 1: When
Baroque Meets Jazz”, started as an unconventional approach. Although this is
not a novelty (there are other such examples in the history of jazz), it
illustrates the vast possibilities that still exist in this area by relating
these two musical styles from different times and geographies (jazz and ancient
music) having as basis what they share in parallel: improvisation. While last
year the pandemic prevented the duo from presenting their interpretation on
stage, they are now able to delight us at last with their work.
10 July
Pedro Sousa “Má
Estrela [Ominous star]” (Portugal)
(World premiere)
Pedro Sousa: tenor
saxophone, electronica; Simão Simões: computer; Bruno Silva: computer; Miguel
Abras: electric bass; Gabriel Ferrandini: drums, electronica
Now a reference in the field of creative jazz and freely improvised
music in Portugal, but brimming with echoes from other geographies, Pedro Sousa
has a background in electroacoustic music which is, in some way, reflected in
this project commissioned by Jazz in the Park. It especially reveals his
predilection for dub, a subgenre of reggae characterized by the manipulation of
pre-recorded material, which, in the case of “Má Estrela”, is framed within a
specifically jazz approach. In the accompanying group, we find the national
musicians with whom Sousa has shared experiences throughout the years, such as Gabriel
Ferrandini, partner in the duo PeterGabriel and other, many, sound adventures.
17 July
Going (Italy / Belgium / Portugal / France)
(A premiere of new compositions)
Giovanni Di Domenico: Fender Rhodes electric piano, electronica; Pak Yan
Lau: synthesizers, Hohner pianet, electronica; João Lobo: drums; Mathieu
Calleja: drums.
One of the various groups that include Italian Giovanni Di Domenico and
Portuguese João Lobo is the quartet Going, with an unusual format of two
keyboard players and two drummers; a project that finds inspiration in North
African and Middle Eastern trance music and incorporates into it influences
from Can’s krautrock, Steve Reich’s minimalism and John Coltrane’s “sheets of
sound” with the clear aim of achieving a time suspension in the listeners’
conditioned perceptual experience. For the musicians, this constitutes a
“journey across the star system of contemporary cities” by applying
poly-rhythms from both exploratory electronic music and the retro sound lent to
jazz by the Fender Rhodes fifty years after Miles Davis’ recording of “Bitches
Brew”.
Mecenas
On going
Past
In the year that
marks the 30th anniversary of Jazz in the Park, our programme brings
together internationally acclaimed Portuguese musicians and European musicians
who have been significantly involved in the national scene, such as
(respectively) João Lobo and Giovanni Di Domenico. The invited artists share
yet another factor in common: their trajectories have taken them beyond typical
jazz audiences, such as Rita Maria and Filipe Raposo, who will revisit the
baroque, and Pedro Sousa’s group, which includes figures that have stood out in
the fields of electronic music (Simão Simões, Bruno Silva) and rock (Miguel
Abras). This edition opens the stage to artists who have been steadily
collaborating beyond boundaries (both territorial and musical). These are 30
years of history which project into as many years of music to come.
Curated by: Rui Eduardo
Paes
3 July
Rita Maria / Filipe Raposo “The Art of Song: When
Baroque Meets Jazz” (Portugal)
(Porto premiere)
Rita Maria: voice;
Filipe Raposo: piano
The voice and piano duo is not uncommon in jazz, but the project that
brought together singer Rita Maria and pianist Filipe to explore the “art of
song”, since the release of their 2020 album “The Art of Song Vol. 1: When
Baroque Meets Jazz”, started as an unconventional approach. Although this is
not a novelty (there are other such examples in the history of jazz), it
illustrates the vast possibilities that still exist in this area by relating
these two musical styles from different times and geographies (jazz and ancient
music) having as basis what they share in parallel: improvisation. While last
year the pandemic prevented the duo from presenting their interpretation on
stage, they are now able to delight us at last with their work.
10 July
Pedro Sousa “Má
Estrela [Ominous star]” (Portugal)
(World premiere)
Pedro Sousa: tenor
saxophone, electronica; Simão Simões: computer; Bruno Silva: computer; Miguel
Abras: electric bass; Gabriel Ferrandini: drums, electronica
Now a reference in the field of creative jazz and freely improvised
music in Portugal, but brimming with echoes from other geographies, Pedro Sousa
has a background in electroacoustic music which is, in some way, reflected in
this project commissioned by Jazz in the Park. It especially reveals his
predilection for dub, a subgenre of reggae characterized by the manipulation of
pre-recorded material, which, in the case of “Má Estrela”, is framed within a
specifically jazz approach. In the accompanying group, we find the national
musicians with whom Sousa has shared experiences throughout the years, such as Gabriel
Ferrandini, partner in the duo PeterGabriel and other, many, sound adventures.
17 July
Going (Italy / Belgium / Portugal / France)
(A premiere of new compositions)
Giovanni Di Domenico: Fender Rhodes electric piano, electronica; Pak Yan
Lau: synthesizers, Hohner pianet, electronica; João Lobo: drums; Mathieu
Calleja: drums.
One of the various groups that include Italian Giovanni Di Domenico and
Portuguese João Lobo is the quartet Going, with an unusual format of two
keyboard players and two drummers; a project that finds inspiration in North
African and Middle Eastern trance music and incorporates into it influences
from Can’s krautrock, Steve Reich’s minimalism and John Coltrane’s “sheets of
sound” with the clear aim of achieving a time suspension in the listeners’
conditioned perceptual experience. For the musicians, this constitutes a
“journey across the star system of contemporary cities” by applying
poly-rhythms from both exploratory electronic music and the retro sound lent to
jazz by the Fender Rhodes fifty years after Miles Davis’ recording of “Bitches
Brew”.